Friday Photo Favorite: Castle at Český Krumlov









A foggy morning at Olympiapark. I still love the greens, but we've been having so much rain and fog lately that I ask myself daily: Summer? What summer?
This week, the fantastic color chart of Angela Merkel's suits has hit the internet. While she may not have much variety in style, it's an impressive array of colors! Besides...she's a little busy with other things to be spending much time on fashion...so I applaud her for likely having just bought the same suit in myriad colors.
The neatly arranged color chart that's been best described as the "Pantone Merkel" actually is part of a larger project by Dutch graphic designer Noortje van Eekelen. Her graduation project, "The Spectacle of the Tragedy," contains this and other collected images of key players in the Euro crisis.
As described on her website, "The Spectacle of the Tragedy tells a visual story about the politicians that navigate the Euro crisis," It shows us what is happening behind their political smiles and gives us an insight into their irresponsible behavior. " It's a "Visual database of the European Show and its Leading Actors."
In addition, you can also find the "Extraordinary Romance" of Merkel and Sarkozy, the "Girls of Berlusconi" (unsuprisingly, NSFW outside of Europe), and my second favorite..."The Carla Bruni Handbag Collection".
Enjoy!
Yesterday I read an MSNBC article entitled Awkward! How a workplace hug can go awry. It was basically about the etiquette of hugging coworkers and how awkward moments can arise when one person goes in for a hug and another for a handshake.
It makes me think of a similar dilemma we have working in multinational European offices - kissing in business settings.
First, there's the question of to kiss or not to kiss, which can result in some similar awkward moments. But then it gets more complicated from there with the question of how many cheek kisses.
It's not that simple...For a French colleague, it will be twice (once per cheek). For British colleagues, sometimes it's twice, sometimes once. And then I have to just remember which Dutch colleague has two and which has three (as many Dutch and Belgians do).
It's probably a good rule of thumb in Germany to expect a handshake from a German colleague, though depending on the person and the formality of the office, you may be surprised. German companies still are more formal than those in the US, where you may still wear a suit and tie 4-5 days per week and work with a colleague for 10 years and still be on a Sie (formal "you") basis. But, times are changing and the influences of other countries are working their way into the workplace here.
Last year, Germany's prominent etiquette group, the Knigge society, called for a ban on office kissing and maintaining a 60 cm distance during a handshake.
Personally, I find a kiss on the cheek hello or goodbye can be a nice thing. But I can see where it could be uncomfortable when it's between boss and subordinate or if you have a sleazy coworker (fortunately neither are an issue for me!).
I generally observe someone's interactions with other colleagues first (to see if generally they're a kisser or a handshaker) and also let the other person take the lead. Though I've had many of the funny awkward moments of going for two instead of one, or stopping at two cheeks when someone is used to three. But it's something we do laugh about as a common and very minor cross-cultural miscommunication.
Schneider & Brooklyner Hopfen-Weisse is a collaboration between brewmasters Hans-Peter Drexler of the Schneider Weissbier Brewery and Garrett Oliver of The Brooklyn Brewery. Garrett and Hans-Peter have long admired each other's beers. Now together they bring you a new sensation, a pale weissbock robustly dry-hopped with the Hallertauer Saphir variety grown in the fields near the Schneider brewery. Hoppy, zesty and supremely refreshing, Schneider & Brooklyner Hopfen-Weisse is a delicious blend of Bavarian craftsmanship and American ingenuity.
How fun is this?!!
For Twelv Magazine's debut, they made a dress (inspired by Alexander McQueen's Parrott Dress) out of FIFTY THOUSAND GUMMI BEARS!
To create this 220 pound masterpiece, the designers Hissa Igarashi and Sayuri Marakumi covered a wire frame with vinyl and spent 3 weeks gluing on the gummi bears by hand. Truly impressive!